Sunday, October 30, 2022

TCATS #445 - Music Everywhere

I found it very interesting that today's Music & the Spoken Word broadcast ended with a new song from Ryan Murphy called "Music Everywhere". The reason that's so interesting to me is because 99% of the time, broadcasts end with songs that are often familiar but always very Christ-centric. For example, if you looked at the last ten broadcasts, the following songs were the ending songs: 

Praise the Lord, His Glories Show
Let Us All Press On
Standing on the Promises
O Come Ye Nations of the Earth
How Firm a Foundation
All Creatures of Our God and King
It Is Well With My Soul
Come, Labor On
Praise to the Lord, the Almighty
When in Our Music God is Glorified


The song "Music Everywhere" speaks of music being found in the valleys, on the hills, in the mountains, by the fireside, in the air, in the true heart, for the weary, in our gladness, and several other places.  Basically, as the title indicates, music is anywhere and everywhere. 

In thinking about this a little more deeply, even though the song doesn't once mention God or Christ, these deity are responsible for our lives and everything on this earth that we enjoy. They created the valleys, hills, and mountains. They gave us air to breathe. They allow us to feel all sorts of emotions--including weariness and gladness. And they give us opportunities to live according to a true heart--a heart that gives way to living authentically and lovingly. And in and through all of these things is music. Now it may be music that we purposely listen to or sing along to, but it could also be music that's found in nature, or the type that's found in the expression and the rhythm of our lives

I like how Wikipedia defines music:  "Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal."

By this definition, even our breathing (a type of rhythmic sound) could be considered music!

So actually, yes. The fact that music is indeed everywhere testifies of Christ's love for us. And whether it's a rousing chorus of "How Firm a Foundation" that stirs our emotions or the music of wind in the trees that brings tranquility and peace, we have God to thank for all of it. 

So perhaps, there's no better song to end a broadcast with!

Until next time, God be with you.


 

Photo: Ryan Murphy conducting "Music Everywhere".

Sunday, October 16, 2022

TCATS #444 - Odds, Ends, & In-betweens

Some random thoughts for today...

<>The Music & the Spoken Word  broadcast today was a good one.  The Spoken Word was all about the beloved author C.S. Lewis and music wise, we sang the fan favorite "Let Us All Press On" arranged by our own Richard Elliott. There's just something really powerful about that particular arrangement and I wish I could articulate what, exactly, is powerful about it. I'm reminded of a question my wife asked me just yesterday: "What criteria do you have for what makes a song great?" She had HER list. But when I thought about MY list, I stumbled big time. Either a song "has it" or it doesn't. Right? I mean, I can name some things I don't like about songs in general, but trying to actually describe why I really like any particular song? I just don't know.

Here are a few tweets about "Let Us All Press On" that came in during Conference a couple of weeks ago:




<>During the run-through this morning, one of our sister choir members had an incident that caused her to go unconscious for a time. I mention this only because I was impressed with what happened next. Choir members around her caught her, members of the security team were on site within seconds, our resident doctor was there to help, and an ambulance came fairly quickly to assist. While I certainly hope the sister is OK, it was comforting to see how so many people were there to help.

<>The presidency of the Choir continues to add new people to the choir administration team. Most recently, a position called "Directors of Ensemble Operations & Support" was added. The couple serving in this position will work to better ensure the performance and other needs of each individual organization are met.

<>The Choir organization (which includes everyone) has an all-hands meeting coming up in November. The agenda of topics for that meeting has not been shared, but if I had to guess, at least one of the topics will be about the next tour. 

<>While I'm in the middle of my journey to really love my choir experience again, I've been able to look at this experience as a calling (which it has been all along, but sometimes it's easy to forget that). Everyone who has a calling in the Church of Jesus Christ of Latter-day Saints has times when they are discontent, get frustrated, and just wish things were different. But at the end of the day, anyone who wants to succeed at their calling needs to look at it as giving service. "What can I do for the people I serve?" And if I answer THAT question honestly, the harder moments are better and the good moments become great moments. 

<>It was a first today regarding my carpool group. We all sat in the very same row. Given that there are two basses, one baritone, and one tenor, the likelihood of that happening again is rare. 

<>We started learning ELIJAH today. I've never sung it and have never actually heard it before. But we're getting a jump on learning it so that we won't have so many extra rehearsals in January (we perform it in February as part of the Tanner Gift of Music series). 

<>I'm thankful for my choir member friends. They are kind, supportive human beings and I'm a better person because of them.

Until next time, God be with you.


Sunday, October 9, 2022

TCATS #443 - On Set With The Piano Guys

Members of the Tabernacle Choir had the opportunity to sign up for and participate in a music video with The Piano Guys this past Saturday. For awhile, I was a bit on the fence as to whether or not I wanted to participate. But in the end, I thought I'd give it a shot. After all, it WAS a pretty cool opportunity.

The morning of the video shoot for me started at the unearthly hour of 3:45AM. 

Yikes.

I showered, put on the designated Choir suit (which I picked up from the Conference Center after rehearsal on Thursday), and drove down to the home of my friend Wes. We then got in his car and traveled down to BYU's stadium parking lot (listening to some pretty awesome 80s tunes on the way), where we then caught a shuttle that took us to the LDS Motion Picture Studios. While en route, we consumed a boxed breakfast and talked about the experience we were about to have along with a few emails that had been sent to us around 10pm just the night before.  The emails explained how each of us were in certain groups and included instructions on where we were to stand, walk in from, etc. They also told us who are group leaders were and a few other details. 

Once we arrived at the studios, we all congregated in back of the mock Newell K. Whitney store in camping chairs while waiting for more instructions. As we waited--and indeed throughout most of the morning--we tried not to freeze as the temps were in the 40s. But with some amount of anticipation for the experience ahead, and with the socializing we were all doing, we tried not to think too much about the cool temperatures. Soon enough, several members of the production team explained how things would go and told us to get in our groups and go and find where we were to enter the set from. Since it was still dark (6:45), team leaders got out their flashlights looking at various pieces of instructions and maps and then began leading us to our locations. I was in Group C (there were groups A thru F)--one of the smaller groups--and we found our spot on the left side, diagonal from the piano which was in front of a log cabin. 

Just so you get a visual.... think of a traditional, smaller log cabin, with candles in the windows and smoke coming out of the chimney. All around this cabin are trees, with old fence railings and leaves scattered on the ground. Then picture a mist permeating the area, creating an atmosphere of wonder and awe. Right in front of the cabin was the piano John would play and in front of him was a stool where Steve Nelson would be playing his cello. And around the entire scene are choir members, strategically placed and ready to film all of the scenes required to make the video.(see pics below)

Once we were all gathered on the actual set, there were some words from the director, the producer, from Mack, and from Elder Clayton. They all thanked us for being there and for being part of this grand project that was sure to bless the lives of many. After that, the morning was a mixture of waiting, being on set, following instructions on when to sing, where to stand, how to walk in, what facial expressions to have, and where to look. There were camera people, fog people, light people, refreshments people, fans blowing leaves people, calling out instructions people, and  a bunch of other people. It was rather amazing how many people were there working on this. 

As the morning progressed, some groups had been more involved with the video than others, while a select few were on set almost the whole time. But to everyone's credit, I didn't hear any complaints. It just seemed like everyone was content to play their part and if their part involved a lot of waiting with only minutes of set time, that was OK. Every part was important to make the video what it needed to be. 

Besides, all of the wait time gave us a chance to socialize--which we rarely have time for week to week. So that was nice.

As I watched everything unfold, I have to say how was amazed I was at how David Warner, who was the creative director of the project, was so intimately involved in every scene. He had sketched out story boards of how the entire video should play out and was continually talking with the video directors trying to infuse his vision in to each scene filmed. So much work. So much attention to detail. 

When it was all done, we gathered around the set and The Piano Guys gave us a special performance of "I Can't Help Falling In Love with You"--just to say thank you for our participation. (I know the song is an Elvis Presley song, but I always think of the last scene of one of my favorite 80s movie Some Kind of Wonderful)  Then, it was over. We filed back to the buses and shuttles, grabbing a boxed lunch on the way, and went our separate ways.

When will the video be out you ask? Hmmm. We're all asking that same question. And all we know right now is "sometime next year". Sigh. Good things come to those who wait I suppose.

Until next time, God be with you.

[Some pics from the day. Click to enlarge]

What the set looked like early morning

L to R: Patrick, Greg, me, Wes

On set with The Piano Guys

On set with most choir members circling the scene

L to R: Anthony, Siope, me

David Warner and Mack Wilberg reviewing scenes