May 11, 2014 Today's post will take you into the details of what goes into singing in an episode of Music & the Spoken Word. At least the details of my experience...
6:00am Up to shave, shower, get dressed, and eat. While shaving and showering, I go over the pieces we'll be singing my memory that day. I give my sleeping wife a kiss and then drive to meet by fellow carpool partner and friend, Ben Blauer.
6:45 It's my day to drive, so Ben gets into the passenger seat and we're off to the Tabernacle about 15 minutes away. While driving, we ask each other about the weekend highlights and often talk about the music we'll be singing or upcoming events we'll be a part of. Ben holds a sheet of paper in his hands with the words to our memorized piece of the day "Grand Night for Singing". I smile as I often print out or write down the words myself to take them to soccer games or other kids' events throughout the week. Memorizing doesn't come easy to me, so the more time I take, the more prepared I feel.
6:57: We drive into the Conference Center parking lot and park next to the South Temple exit ramp for a quicker departure later. Swiping the security badge, we enter the rather long tunnel to get to the Tabernacle and make our way to the men's dressing room and notice via a mannequin what we are to wear for today's broadcast. My tabernacle choir brethren are changing and conversing about various topics as I get dressed myself. It's then over to the music locker to pick up my folders of music. Because there's an extra rehearsal after the broadcast today, I bring both my red performing folder and my blue storage folder.
7:20: I take my seat, saying hi to various people I meet. Of course it's always good to see those who were in choir school with me and whether it's a quick "hello" or a more engaged conversation, it's good to see them. It's also good, of course, to meet the other members of the choir and extend friendship to them as well. I notice the various stage crew workers in black work clothing setting up the stage and the camera and various staff members milling about seeing to last minute details.
7:25: Ryan or Mack (depending on who's conducting) greets us all and starts us off with a warm-up. Afterwards, Ryan gave us a tribute to his mother sharing a personal growing up experience, and made some general comments about how great mothers are. We then start rehearsing the music we'll be singing that day--skipping to his part or some other part depending on the notes our director took at Thursday's rehearsal.
7:45: The choir president or another staff member gives us announcements and then a choir member says a prayer for all of us--thanking God for our talents and opportunities to help share our testimonies to the world in this musical way. He/she also asks a blessing on those whose names are on the Tabernacle Choir prayer roll.
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Bells on Temple Square |
7:50: The orchestra warms up and we then all start rehearsing the music. Today was somewhat unique as the Bells on Temple Square were going to be part of the broadcast. I watched part of their rehearsal in fascination. Audience members start to file in a little later...
8:40: We do a complete run through of the broadcast--cameras, lights, action! I enjoy this part. It's a chance to get a feel for how things will go without too much pressure. We watch carefully as our director motions us to stand or sit or bring our folders up or down. While singing, I'm constantly thinking about posture, high vowels, how others sound around me (so I can match them) and what my face is portraying to the audience. And then I try to think about the message I'm singing and what that message means to me. It's a tricky balancing act to get it all just right (especially
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Andrew Unsworth |
knowing you're on camera at any given moment). And if we're singing a memorized piece, throw in remembering the words as well! Today, I was particularly touched by the organ solo by Andrew Unsworth. It just sort of spoke to me...
9:07: After some quick notes from the director following the run-through, we exit "the loft" (choir seat section) and either go outside for a bit or stay down below/behind the loft. This is the time to eat a quick snack, go to the restroom, get powdered to reduce facial shine by Sis. Make-up, review mentally what you learned during the run-through, and catch a quick conversation or two with other choir members.
9:20: We file back to the loft. I sit down and look into the audience, realizing that they (and the thousands watching remotely) are about to have a spiritual experience. At least that is my hope. I realize too, that I need to put on my A-game to help facilitate that. It's all very humbling. Brother Newell talks to the audience about audience etiquette--reminding them that it's important to be quiet during the broadcast as well as warmly welcoming them there.
9:29:30: One of the broadcast producers yells out "30 seconds" and then it's 15, and then it's 10. And then, well, we sing. We replicate the run-through, but try to do better. Will someone be touched today? Will they want to be a better person? Will they decide to make some changes? Will they feel God's love and have a desire to repent? Will they want to know more about the Church and ask a missionary afterwards for more information? Will they leave feeling renewed and refreshed, ready to meet life's challenges head on with more hope? Yes. All of this happens and more. That's the miracle of it all.
10:00: With the cameras off, Bro. Newell says a few words and then we turn to the audience and sing our farewell song, "God Be With You Till We Meet Again." I pick out one member in the audience and even though I can't see his or her face, I sing to that person. And I hope they know that I love them. I hope they are changed from having attended. And I hope that I come away changed, and more dedicated as well.
Until next week...God be with you!