TCATS #497 - Of Derrick, Tickets, and the Olympics

Last Sunday, I was observing the Choir from the audience seats since I wasn't eligible to sing in the broadcast (I had missed Thursday's rehearsal). For some reason, I decided to sit on the 2nd row of the section--which is odd because I normally sit much farther back. As I sat there, I noticed plenty of staff members busy doing a variety of things to make sure everything was going to go smoothly. I also noticed Derrick Porter (the new voice of the Spoken Word) among them and didn't think much of it until he ended his conversations and came over and introduced himself to me and a friend I was sitting next to. For the next 5-7 minutes, he and I talked about various ways that kind of connected us (he saw my name tag and asked about other Pitt individuals I was related to and things launched from there). Apparently my dad was the one who helped convert someone who later became Derrick's mission president. And that mission president had a son who, it turns out, I ended up hiring at IBM back in the early 90s. It was also discovered that he had gone to school with my sister. Anyway, he was very friendly, very kind, and I was honestly in awe of how much time he took to talk with me. We even exchanged a few texts later that day and he said some things that were very helpful and insightful to me personally as I continue to figure out my life and which path I want to end up on. 

All to say, I'm thoroughly impressed with Derrick Porter and very much look forward to hearing all of the future Spoken Word messages he'll be sharing with the world. He doesn't just talk the talk. He walks the walk. He's a Christ-like person who I'm honored to call friend.

---------------

In other, not so uplifting news, I've been really frustrated with the way the Church has handled the distribution of tickets to concerts being held in Florida and Georgia (our tour destination in September). There's been zero official communication to the Choir about the tickets and when I went onto the website to get some the first day they were available, the site was asking for a code. What code?! I finally was able to bypass that and request some tickets--only to get an email saying "Thanks for requesting tickets to an upcoming Tabernacle Choir event. More information regarding your request for tickets will be sent by the hosting arena."

Sigh.

After waiting a couple of weeks, we finally received this internal info: "IF tickets become available, we will provide a code...".

Thankfully, a Choir staff member put me in contact with another staff member who tried to explain why this hadn't been rolled out very well and asked me to send him an email with my ticket request. He said he'd see what he can do. At least it's something. Something I'll put my hope in.

I get that the Church has every right to withhold tickets so they can be given to non-members in the hopes that they will be inspired and want to know more about the Church. But I don't think it's unreasonable to ask that a block of tickets be reserved for friends/family of Choir members who happen to live in the areas we'll be visiting. There may be important reasons why such friends and family members are being invited. As is the case for me.

----------------

In my last thought for today, I wanted to give a nod to the Choir's performance of "Call of the Champions" today. It was very inspiring. Composer John Williams can seriously do no wrong. He's brilliant--and this music of his was perfect today as we look forward to watching the Summer Olympics play out soon in France. It was nice, too, for the Choir to end the broadcast on this song. 

And that's it, folks. 

Until next time, God be with you.

TCATS #496 - Messages from the Moutains

Today's MSW theme was all about mountains--including not only some of the songs we sang, but the spoken message itself. I thought it would be fun to do a little critical analysis of all of the messages we received today about mountains. 

First off, let's tackle the three songs about mountains:

ANYONE CAN MOVE A MOUNTAIN 

Anyone can move a mountain if he really tries.
Anyone can move a mountain, [but] you must realize it will take a little time, [and] a lot of faith. [So] make up your mind and you'll arrive at where you strive to go.

So never be afraid to dream for that's what you must do.
If you never dream at all then your dreams can't come true.
Anyone can move a mountain, everyone should know. Just believe it and you'll find it's so.

Analysis: At a very high level, I appreciate what this song is telling us. It's attempting to bolster our confidence in the notion that we can move the mountains in our lives. We can conquer hardships and come out on top. But honestly, this isn't always the case. There are some mountains we cannot move. The song's lyrics are implying that mountains (trials) absolutely can be moved (overcome) if we have enough faith, if we just believe, and if we strive hard enough. I don't agree. And I know many people in my life whose mental health would suffer if they put their belief in this song's message. Should we try to overcome trials? Sure. And there are many we will overcome. But we need to remember that this song's formula doesn't ALWAYS work. (As an aside, there's a logical fallacy in saying that dreams can't come true if you never dream. Because if you don't dream at all, then there are no dreams to come true or not come true...)

CLIMB EVERY MOUNTAIN

Climb every mountain, search high and low.
Follow every byway, every path you know.

Climb every mountain, ford every stream.
Follow every rainbow,‘till you find your dream.

A dream that will need all the love you can give,
Every day of your life for as long as you live.

Analysis: For me, this is a song about figuring out life. It's about taking opportunities (and proactively making opportunities) to gain experiences and figure out what you really want. Such a course of action will include ups and downs, a lot of dedication and love, and a lot of hope and luck as well. So no doubt this song is inspiring (and I usually get a few chills when I sing it). However, on the flip side, using the word "every" repeatedly in this song can sometimes cause me to feel sad and frustrated and critical of myself. If I don't climb every mountain and every byway and every path and every rainbow each and every day, I'm not going to find what I'm looking for--I'm not going to be happy. It's a lot of pressure! Don't mess up! Don't let opportunities pass you by or else! (As an aside, the lyric "every path you know" doesn't quite seem to fit with the rest of the song since it's likely we'd be trying paths we don't know on our journey to find our end goal.)

ON GREAT LONE HILLS 

On great, lone hills, where tempests brood and gather
Primeval Earth, against primeval sky,
We, faring forth, possessed by fervent longing,
Have found a throne, eternal and high.
Have knelt at last in wordless adoration,
Till fire and whirlwind have both gone by.

With ardent song we greet the golden morning.
By faith upborne, remember not the night.
The whole wide world, triumphant hails the dawning.
God walks abroad in garments of might,
The hills, behold, are now a path of splendor,
Transfigured all, and all crowned with light.

Analysis: Ok, ok. So "hills" are not "mountains". I agree. But let's just go with it, shall we? It's difficult to analyze this song because I'm not entirely sure what it's talking about. But I'll do my best. The first set of lyrics seems to paint a very bleak picture about life. It's like we start our life's journey without God and encounter a lot of difficult realities and trials. But because of our intense longing to find a higher power, we end up accomplishing that and kneel in humility before the God who loves us.

The next set of lyrics paints a much happier picture now that we have God in our lives. We see the world around us for what it is--evidence of God's love. In fact, we see God everywhere. And the lone hills are now hills that if crossed, lead to light, truth, and goodness. 

Anyway, I'm on board with the lyrics, although I find myself wishing for two things. First, whereas I've had the time to study these lyrics and ponder on the meanings of various words used here, most listeners don't have that luxury. So using less-common words (brood, primeval, faring, ardent, upborne, etc) makes it difficult (for some, at least) to understand the overall message. Second, I take issue with "remember not the night." I may be way off base here with interpreting that line, but often "night" is associated with negative emotions like confusion, pain, and hardship. But let's not forget that pain leads to growth and further understanding. The "nights" in our lives are not something to forget.

Well, this is turning into a very long post. So I'll just end with a sentence or two from the spoken word I liked the most. 

"Maybe it’s not the elevation of the peak but the work it took to get there that brings us closer to God. It’s our willingness to climb the mountain—-not just the mountain-—that’s sacred to the Lord." (Derrick Porter, 6/30/24)

Until next time, God be with you.

TCATS #495 - Hello Derrick Porter

Derrick Porter.
He's the new guy in town. 

For at least a few loyal fans of Music & the Spoken Word, I'm sure the transition from Lloyd to Derrick has been met with a little hesitancy and trepidation. After all, 34 years is a long time. Lloyd's style, his voice, his smile, his insights, and his convictions have all given way to a certain brand of familiarity and trust. And that's hard for loyalists to let go of. 

But, as they say, all good things must come to an end.

Derrick started things out by greeting the audience members this morning. Shortly thereafter, the program started. His spoken word message was all about the transition, as well addressing topics of connection, joy, and focusing on Christ. Personally, I think he did a nice job and look forward to hearing more from him. I especially appreciated his message today about connection.

Having Derrick as the Spoken Word host wasn't the only thing that changed today. Elements of the program itself also changed. Instead of Derrick introducing the program like Lloyd Newell did during the first 30 seconds, there is now a woman's voice that does that. The same woman also closes out the program at the end. Some guys next to me today, after hearing the voice, said it sounded AI-generated. While I hope that's not the case, I can see why it might be. Since she only speaks less than probably 20 seconds total, using AI for timing and convenience purposes might have been why they chose to go with that option. I'll see if I can find out for sure.

For me personally, today's experience with the Tabernacle Choir was okay. I seemed to be plagued with fighting off some voices in my head telling me I shouldn't be there and nobody wanted me there. Also for some reason, I was in a very reclusive mood and didn't really say all that much to anyone. I did add one change of my own to the program though. It's the first time I wore glasses. The words on the teleprompter were becoming increasingly hard to see, so I thought it was about time. I've had glasses for years but just rarely wear them. Now though, with words becoming blurry, I had a definite need for increased clarity. And I very much enjoyed the change.

Looking to the future, I only have about 15-20 Sundays left in my choir service. It's a strange thought, but the time has come. The voices in my head are winning, my views about the Church are changing, and to be honest, I just really miss my friend Wes. 

Until next time, God be with you.

TCATS #494 - Personal Guests & Farewell to Lloyd

I had the privilege of having my mother and my great aunt join me for rehearsal this past Thursday. As choir members, we can invite people we know to come on Thursday nights and have them enjoy a "Tabernacle Choir experience". They sit in the loft next to all of us, they are given music to read from, and then near the end of rehearsal they are introduced to the Choir by Mack himself. Mack bases these introductions off of a short biography each guest is asked to write up and submit beforehand.

At any rate, it was fun to see both of them have such a good experience. And it was fun riding home with them afterwards to hear their perspective on what they thought about it all. Their comments centered on how much they enjoyed the music, the people sitting next to them (who were all very kind and accommodating), and getting to testify of Christ as they sang the music. They were also struck on how "get down to business" Mack was and how carefully they had to listen to make sure they were understanding all of the instructions being given. 

Around 9:05 or so and after the introductions, the guests were excused from the loft while the rest of the choir continued rehearsing. I left with the guest group and once we were down near the front of the audience seats, one of the Choir photographers took a picture of my mom and aunt Winnie and then a picture of all of us (including my brother Jordan who had come). We talked a bit with the Pres. and Sis. Porter (who my mom knew from years ago) and then we left! 

Personally, along with seeing my mom and aunt so happy, it was nice to have something "new" as part of my Thursday Choir experience. It also made me a little more grateful for having the opportunity to sing with the Choir in the first place.

Switching gears, today was Lloyd Newell's last broadcast. For the past 34 years, he's been the voice of Music & the Spoken Word and as you can imagine, he and his wife were a bit emotional today as they said goodbye to this very significant part of their lives. Lloyd had hand-picked the song selections today and the spoken word appropriately focused on CHANGE. 

Several choir members around me got a little emotional as we sang "God Be With You 'Til We Meet Again" to Bro. & Sis. Newell as a final farewell. While I was thankful for his service and consider him a brilliant writer and speaker (he composed over 1700 spoken word messages or mini-sermons during his tenure), I didn't find myself getting too emotional. I acknowledge I have been touched on numerous occasions from his spoken word messages, but I also look forward to seeing how Derrick Porter (his replacement) will fill his shoes. Maybe he'll walk in the same style as Lloyd. Or maybe, just maybe, he'll do things a little differently. 

Oh, and before I end this entry, it was announced on Thursday that the Choir's next tour destination (next Feb) is Lima, Peru. I won't be around for that one, but I'm glad the Choir gets to go to such a beautiful destination and mingle with/sing to the people there. 

Until next time, God be with you.

L to R: brother Jordan, my mom Linda, Aunt Winnie, and me!

TCATS #493 - Of Holst and Parades

There are two thoughts I wanted to share today regarding my experience this week in the Tabernacle Choir at Temple Square.

First, out of all of the songs we sang, my favorite was titled "O God Beyond All Praising", by Gustav Holst. The song is based on the THAXTED tune, which Gustav came up with himself (and which tune has been used for several other songs over the years). Thaxted is actually the name of an English village where Holst grew up. At any rate, it's a very pretty song and one that found a way into my soul this morning. The lyrics that Michael Perry came up with for the song are certainly praiseworthy, but for some reason just the tune itself is what impacted me the most. It seemed to strengthen my tether to the Divine.

Second, one of our Choir presidency members stood before us this morning and informed us that music turn-in was canceled (which is rare if one has been scheduled) and that we were encouraged not to go over to the Tabernacle because of the Pride parade that was happening fairly close by. We were also told that if we really did need to go over there, that we weren't to take any pictures. 

Without any further background or context or explanation given, I was left to try and figure out the reasons behind this request. From a risk management perspective, perhaps the Choir presidency was trying to avoid the unlikely possibility of one of the parade-watchers being unkind to a choir member (or vice versa)? That somehow choir members wouldn't be welcome to view the festivities? That, because of our large numbers, we'd get in the way of others wanting to participate? Or was it to avoid a potential PR issue in the which choir members were photographed or videoed by the media as they watched the parade--thereby implicitly showing their support of the LGBTQ+ community? I don't know. I wish some additional details had been provided because it felt a little like we were being asked not to support the parade and thus the community it represents. 

Funny thing is, since the west gate of Temple Square was closed (which was nearest the parade), if we had returned our music, we would have had to go through the north gate which would have kept us quite a bit away from the parade. And speaking of the parade, it was actually taking place on 1st south--a block away from Temple Square (blocks in SLC are quite large). Anyway, it was just one of those times I was confused and in the absence of an explanation, was left to feel a bit offended. 

If I'm wrong in my interpretation of what was said, I'll be the first to apologize. Just trying to make sense of it all.

After the parking garage at the Conference Center was mostly cleared out and Choir members had gone home, I walked over to the parade to show support generally, but also to support someone I knew who was participating in it. Along with the excitement and energy, my friend in the parade summed it up best with a text he sent me: "Today I experienced a community of love and support well beyond anything I've ever experienced [elsewhere]. Most of all, there [was] no judgment here."

Until next time, God be with you.

TCATS #492 - Specials No More

 At Thursday night's rehearsal this past week, things were going exactly as they usually go. We rehearsed each piece, cleaned it up, and tape & timed it for the upcoming broadcast. The last piece we rehearsed was the piece that gave us a Grammy award back in the 1950s: Battle Hymn of the Republic.

As we rehearsed that one, Mack, at one point, said something to the effect that "Even though we don't do specials anymore, with it being Memorial Day weekend, I thought I'd add this one to the program. There are those who will get why, and for everyone else, they'll just think it's a nice song."

It was the first time that I had officially heard we don't do specials anymore. 

That said, it's been evident that we haven't been doing specials for nearly a year now (or longer?) I remember last July when we did Music & the Spoken Word right before the upcoming Independence Day holiday here in the US. I was anticipating the program to be full of patriotic music like has been the case in the past. But it was not. And for all of the holidays that followed (minus Christmas & Easter), such as Thanksgiving, Veteran's Day, Mother's Day, Father's Day, etc., the songs we sang were not catered to celebrate those special occasions. 

Just today, one of the Choir members made the comment "I miss patriotic music broadcasts". And there were others who chimed in with "Me too". I don't know that I personally miss them too much, but I recognize that there is some really fun and inspiring patriotic music which does do a very successful job at initiating a sense of wonder and appreciation for the good parts of our country and for those who have sacrificed to preserve freedoms.

As I was pondering this discontinuation of specials topic, I was reminded of an opportunity Choir members were given back in 2022 to provide feedback to the Choir presidency. Up until that time, feedback and suggestions were discouraged and flat out unwanted. Now that they were actually asking for it, I decided to capitalize on the opportunity and provide seven suggestions. One of them was this:

"Along with efforts to provide Music & the Spoken Word in Spanish and Portuguese, I hope there will be some consideration on discontinuing or modifying the US-centric broadcasts that highlight US holidays. I fully realize that there is a lot of great music that is sung and played at these, but can we not focus on themes, principles, and messages that apply to all countries and people? For example, this past Veterans Day broadcast could include songs that speak of freedom, sacrifice, and patriotism while at the same time leaving out specific references to the United States or America."

I don't mean to imply, at all, that my suggestion had anything to do with the Choir Presidency's decision to discontinue Specials. They were probably already talking about it given that one of their directives was to be more internationally focused. Evidences of that have included inviting individuals from all over the world to join the Choir for General Conference twice a year, broadcasting Music & the Spoken Word in Spanish (and Portuguese soon), and embarking on a multi-year effort to tour other countries. 

Anyway, just an observation. Sorry for writing so much about it!

I wish there was more to report, but honestly the Choir just continues to do the weekly broadcast and not much else. It will do so for two more months before something extra will be added: having additional rehearsals for our upcoming tour to Florida/Georgia. 

Until next time, God be with you.

TCATS #491 - Carpool +1

My Tabernacle Choir experience began with carpooling to Temple Square with Ben back in 2014. A few years later, 2017, we added Willy and Alan. Since then, our carpool has remained unchanged....until today.

Willy connected the dots that one of the new members of the Choir who joined just this year, lives in West Bountiful--and literally less than a mile from our carpool meeting spot (shout out to the restaurant Ramblin' Roads, whose parking lot we've utilized for over ten years now!). So he extended the invitation to him to join us and lo and behold, he did.

So, with a warm welcome we say hello to Dan! And from our conversations with Dan today, we learned he is a 2nd Tenor, he's originally from Arizona, he's a food research scientist specializing in formulating cookies (which recipes are then purchased by entities in the food business), and he sang in BYU Men's Chorus from 2009 to 2015. Dan is an extremely friendly guy and adds an excitement to our carpool that we're all grateful for. 

In other news, the Choir shifted early from the Tabernacle to the Conference Center today because apparently some work on the organ needed to be performed sooner than later. I'm not a big fan of singing in the Conference Center. I feel very small and disconnected from those who come to watch us. (And when I'm in row 6, add "squished" to the "very small" comment) However, it's all out of necessity to accommodate the larger number of people who visit Temple Square during the summer months.

Lastly for today, this year marks the first year since I started singing with the Choir that extra rehearsals won't outnumber regular rehearsals. It's an oddly quiet year. Normally we're always preparing for some next event outside of our weekly broadcast. But unless our leaders alter the current calendar (which is certainly a possibility), we really have nothing until our tour to Georgia/Florida in September. Even the traditional summer concert that the Choir has been putting on for years and years, has been canceled this year. 

I don't know...
It's all a bit strange...

That's it for this week!
Until next time, God be with you.